| Description: | Segment one of this program uses four paintings by Mondrian to track his migration from impressionistic and abstract landscapes to the pure geometry of Neo-Plasticism. Segment two employs Brancusi’s "Fish," Dame Barbara Hepworth’s "Pelagos," and Joseph Beuys’ "The End of the Twentieth Century" to analyze how abstract sculptors represent nature. Segment three explores Richard Long’s fascination with organizing nature through his "Line Made by Walking," "Red Slate Circle" installation, and "Waterfall Wall Painting," created by finger painting with a white clay slurry on a large black wall. |
